Dave Karlen does a nice write up on Godwin over at his well-researched and informative art blog, which you can go to by clicking here. The article is accompanied by some lovely scans, worth looking at. It should be noted that Godwin maintained an incredible level of consistency throughout his long career, on a par with that of Hal Foster; the daily reproduced above was drawn when the artist was 66 years old.
Tuesday, January 22, 2008
Who Was Frank Godwin?
Frank Godwin died nearly 50 years ago and is virtually unknown today. He was an illustrator who segued into comic strips and occasionally comic books. He is best known for his work on Connie, followed by Rusty Riley, which he drew until his death.
Dave Karlen does a nice write up on Godwin over at his well-researched and informative art blog, which you can go to by clicking here. The article is accompanied by some lovely scans, worth looking at. It should be noted that Godwin maintained an incredible level of consistency throughout his long career, on a par with that of Hal Foster; the daily reproduced above was drawn when the artist was 66 years old.
Dave Karlen does a nice write up on Godwin over at his well-researched and informative art blog, which you can go to by clicking here. The article is accompanied by some lovely scans, worth looking at. It should be noted that Godwin maintained an incredible level of consistency throughout his long career, on a par with that of Hal Foster; the daily reproduced above was drawn when the artist was 66 years old.
Sunday, January 20, 2008
The Flip Of A Coin
When I used to deal in original comic art I had a certain eccentricity. If a person showed interest in a piece but was unsure, I would offer to flip a coin to determine the final price. For example, if a page was $100 I might suggest flipping with a $20 spread, making it either $90 or $110, depending on the outcome of the flip. The amount would always be the same distance in either direction from the asking price, whether a few bucks or double or nothing. Before you ask--yes, on rare occasions I’ve done double or nothing flips. I think the oddness of the offer enticed some people into pulling the trigger on a page they were otherwise on the fence about. And, really, it was just fun.
Almost all the flips were pleasant and went off without incident, but there was one time (and one time only) when someone reneged. It was at the Chicago Con in the mid 90s. As usual, I had a couple of booths with lots of art for sale. There was one particularly nice Jack Kirby Thor page on display, with a beautiful panel of Donald Blake transforming into the Thunder God. The price was $600, a reasonable sum at the time.
A collector stopped by early on the first day of the show and spotted the page. He looked at it for a while and then asked if I would take $550 for it. I told him no, I had just gotten the piece a few days earlier and felt it was fairly priced. He really wanted the page but also really didn’t want to pay $600. As he stood there and pondered I offered an alternative; he could either buy the page for the regular price or flip for it, $550 or $650.
He was a bit taken aback by my proposal, didn’t understand why I wouldn’t sell it to him for the $550, especially since I was willing to do so if we flipped for it. I explained that this was a bit of fun, as well as a gamble for both of us; we each had an equal risk at stake. He could always buy the page at the asking price, flipping just afforded him the chance of paying the lower price he coveted…but with the distinct possibility of paying more if he lost.
After hemming and hawing for a while the guy eventually decided to go for it, the price would be determined by the flip of a coin. A fair bit of time had gone by and a few people who had overheard us talking were milling about in anticipation of the brief show. I flipped the quarter and he called heads as it arced in the air. The coin bounced a few times before coming to a rest, tail side up.
He looked at me for a minute and then said, “I’ll give you $600 for the page.” I laughed, thinking at first he was kidding. I told him the price was $650, as we agreed. He said, “You wanted $600 for the page, that’s what I’ll pay you for it.” He pulled out his wallet and tried to give me $600, which I refused to accept.
I told him that if he had won I would have had no problem letting him have it for the lower price. But he didn’t see it that way. He was holding the money in his hand and had an expression on his face like I was being unreasonable. I told him he had two choices; he could either buy the art under the terms we agreed or he could walk away. But, if he chose the latter, he could come back in 10 minutes and I wouldn’t sell him the page for $1000. He laughed and once again said he’d pay $600. I shrugged and put the page back up for sale.
He hung around for a few more minutes and then walked away. I noticed him a couple of times passing by to see if the page was still available. Then, maybe an hour or so later, he walked up to me and said, “Okay, I’ll pay you the $650 for the page.” I said I was sorry but the page wasn’t for sale, not to him. I think he was actually shocked that I refused to let him buy it.
Once or twice more he hovered on the periphery of my booth, never actually coming in again. The last time I noticed him was when I was pulling the page down for the gentleman who was buying it for $600. He had seen the page and said he would take it; I never had a chance to offer him a flip. I think it would have been funny if the eventual buyer and I flipped and I had lost, with me selling the page for $550…as my former flipping partner looked on.
Almost all the flips were pleasant and went off without incident, but there was one time (and one time only) when someone reneged. It was at the Chicago Con in the mid 90s. As usual, I had a couple of booths with lots of art for sale. There was one particularly nice Jack Kirby Thor page on display, with a beautiful panel of Donald Blake transforming into the Thunder God. The price was $600, a reasonable sum at the time.
A collector stopped by early on the first day of the show and spotted the page. He looked at it for a while and then asked if I would take $550 for it. I told him no, I had just gotten the piece a few days earlier and felt it was fairly priced. He really wanted the page but also really didn’t want to pay $600. As he stood there and pondered I offered an alternative; he could either buy the page for the regular price or flip for it, $550 or $650.
He was a bit taken aback by my proposal, didn’t understand why I wouldn’t sell it to him for the $550, especially since I was willing to do so if we flipped for it. I explained that this was a bit of fun, as well as a gamble for both of us; we each had an equal risk at stake. He could always buy the page at the asking price, flipping just afforded him the chance of paying the lower price he coveted…but with the distinct possibility of paying more if he lost.
After hemming and hawing for a while the guy eventually decided to go for it, the price would be determined by the flip of a coin. A fair bit of time had gone by and a few people who had overheard us talking were milling about in anticipation of the brief show. I flipped the quarter and he called heads as it arced in the air. The coin bounced a few times before coming to a rest, tail side up.
He looked at me for a minute and then said, “I’ll give you $600 for the page.” I laughed, thinking at first he was kidding. I told him the price was $650, as we agreed. He said, “You wanted $600 for the page, that’s what I’ll pay you for it.” He pulled out his wallet and tried to give me $600, which I refused to accept.
I told him that if he had won I would have had no problem letting him have it for the lower price. But he didn’t see it that way. He was holding the money in his hand and had an expression on his face like I was being unreasonable. I told him he had two choices; he could either buy the art under the terms we agreed or he could walk away. But, if he chose the latter, he could come back in 10 minutes and I wouldn’t sell him the page for $1000. He laughed and once again said he’d pay $600. I shrugged and put the page back up for sale.
He hung around for a few more minutes and then walked away. I noticed him a couple of times passing by to see if the page was still available. Then, maybe an hour or so later, he walked up to me and said, “Okay, I’ll pay you the $650 for the page.” I said I was sorry but the page wasn’t for sale, not to him. I think he was actually shocked that I refused to let him buy it.
Once or twice more he hovered on the periphery of my booth, never actually coming in again. The last time I noticed him was when I was pulling the page down for the gentleman who was buying it for $600. He had seen the page and said he would take it; I never had a chance to offer him a flip. I think it would have been funny if the eventual buyer and I flipped and I had lost, with me selling the page for $550…as my former flipping partner looked on.
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